Massachusetts College of Art and Design | Continuing Education | Summer 2008 Courses

SPECIAL SCHEDULE
Jun 3-Jul 31, TuTh, No class: Jul 3, 15, 17

DESCRIPTION
This course is an introduction to weaving on the floor loom, and an investigation of the use of weaving in both two and three-dimensional contemporary art. Learn the basics of weaving, including warp preparation, dressing the loom, pattern drafting, and loom-controlled/weaver-controlled weaves. The workings of the loom and the uses of different materials are learned through the construction of a series of samples that will inspire the creation of a final piece. Through class critiques and one-on-one consultation with the instructor, students are challenged to think about craft, concept, and formal issues within their work. Experimentation is encouraged.

INSTRUCTOR
Samantha Fields is a fiber artist and sculptor who holds a BFA from MassArt and an MFA from Tufts/The School of the Museum of Fine Arts, Boston. She has led numerous workshops in natural dyeing, spinning and weaving. Her exhibitions include: School of the Museum of Fine Arts, Kingston Gallery, Open Studios, Jamaica Plain, and MassArt. Her work is included in both public and private collections.

DESCRIPTION
This course familiarizes the student with clothing construction and sewing techniques. Students learn hand-sewing techniques, the use of the sewing machine, techniques for taking and recording body measurements, and selecting appropriate pattern sizes. Students also learn how to prepare finishing techniques. Students will use individual designs and patterns with emphasis on fit, construction and problem solving. Students should have basic machine sewing skills.

INSTRUCTOR
Maritza Cantero Farrell is a fashion designer and artist. She completed graduate studies at the School of Fashion Design, Boston and New England School of Art and Design. She holds an MSAE from MassArt. She is proprietor of New Wedding Images, a custom wedding dress design studio and Cantero Design, specializing in graphics for the fashion industry. She also teaches at Lasell College.

DESCRIPTION
In this weeklong course, students will learn traditional techniques and contemporary methods of working with handmade paper. The course addresses topics of particular interest to printmakers: producing custom stock for an edition, shaped deckles, watermarking , stenciled "blowouts", casting with printed papers, as well as developing a personal and structural vocabulary of paper choices for printing (controlling size, shape, thickness, absorbency, and texture of papers used for a variety of printing techniques). We will work with both Western and Eastern fibers including cotton, abaca, flax, gampi, kozo, and sabai. We will also produce recycled pulp from a variety of sources including print fragments. Topics include pulp preparation, 2-d sheet forming and controlled drying, 3-d construction methods of vacuum forming, casting, and spraying, surface imaging through painting with overbeaten pulps, laminations, embossings and watermarking. This class is open to students from all backgrounds and levels, this course is also suited for those experienced students wishing a more in depth studio work to pursue independent paper projects with technical and conceptual support

INSTRUCTOR
Deborah Klotz is a sculptor who holds a BA from Brandeis University and a BFA and MFA from MassArt. She teaches both undergraduate and graduate courses in fibers and sculpture at MassArt, Maine College of Art , and Southern Maine Community College in Portland. She has exhibited at the DeCordova Museum, the Fuller Museum, Maine Coast Artists and recently at the Kiznick Gallery, Brandeis University. Her silkscreen work has been published in Hausfrau Magazine.

DESCRIPTION
Learn basic weaving techniques using traditional and non-traditional materials to apply to sculpture, architecture, fashion design, traditional basket weaving and more. This course covers basic sculptural weaving techniques (twining coiling, plaiting and random weave) as well as techniques for connecting smaller components to build larger structures. Techniques for treating surfaces, such as dyeing, embellishment, over-weaves and painting will also be explored. Hands-on work will be complemented with slide lectures and discussions examining the history, cultural adaptations and significance of weaves in different cultures, and how contemporary artists are integrating weaves into works across disciplines.

INSTRUCTOR
Nathalie Miebach holds a BA from Oberlin College, an MSAE and MFAfrom MassArt and studied astronomy and physics at Harvard Extension School. She is the recipient of a Visual Arts Fellowship at the Fine Arts Work Center in Provincetown, MA and Artist Residency at Bemis Center for Contemporary Arts in Omaha, NB. She has recently exhibited at the Peabody Essex Museum, Nielsen Gallery, and Fine Arts Work Center. She is represented by the Nielsen Gallery in Boston and Reeves Contemporary, New York City, NY. nathaliemiebach.com

DESCRIPTION
This class is an introduction to basic tapestry weaving techniques. Students construct portable frame looms and weave tapestry samplers experimenting with techniques such as slits, stripes, interlock, dovertail, color and composition. Advanced students expand technical skills exploring complex geometric and pictorial designs, using tonal shading. Beginners welcome!

INSTRUCTOR
Theresa-India Young is a fiber artist specializing in ethnic weaving and antique rug restoration. She holds a BS in Art Education/African Studies from SUNY New Paltz, NY and a Certificate of Mastery from the Program-In-Artisanry inTextiles at Boston University. She has also studied in Ghana and at the Parsons School of Design. Ms. Young is an art instructor and education consultant at the Museum of Fine Arts, Boston, The Peabody Museum of Archaeology and Ethnology at Harvard University. She is also adjunct professor at Lesley University in the Creative Arts in Learning Program. She was featured in Old House Journal/Restoration Magazine and at the Lowell Folk Arts Festival. She is a member of the New England Rug Society and associate member of The American Institute for Conservation of Historic and Artistic Works (AIC),

DESCRIPTION
This two-day workshop is an introduction to indigenous pattern weaving from ancient american cultures. Stuents work on traditional style backstrap looms, creating colorful geometric designs and stylized plant, animal and human figure motifs. On Saturday, artisans from A Thread of Hope, Guatemalan Fair Trade Co-Op, will demonstrate traditional back strap weaving techniques and display handwoven accessories, clothing, and textiles for sale. Students receive backstrap looms and multicolor yarns (included in the course fee). Professional Development Points available for educators. Beginners welcome. Limited to 10 students.

INSTRUCTOR
Theresa-India Young is a fiber artist specializing in ethnic weaving and antique rug restoration. She holds a BS in Art Education/African Studies from SUNY New Paltz, NY and a Certificate of Mastery from the Program-In-Artisanry inTextiles at Boston University. She has also studied in Ghana and at the Parsons School of Design. Ms. Young is an art instructor and education consultant at the Museum of Fine Arts, Boston, The Peabody Museum of Archaeology and Ethnology at Harvard University. She is also adjunct professor at Lesley University in the Creative Arts in Learning Program. She was featured in Old House Journal/Restoration Magazine and at the Lowell Folk Arts Festival. She is a member of the New England Rug Society and associate member of The American Institute for Conservation of Historic and Artistic Works (AIC),

SPECIAL SCHEDULE
May 30-Jun 1, F, 6-9p, Sa/Su, 9-6p

DESCRIPTION
In this workshop, we use bark fibers from Japan, China, and Southeast Asia to explore techniques of hand papermaking and to produce thin yet strong papers suitable for creating illuminated structures. After soaking and cooking the fiber, we hand beat the fiber and begin to pull sheets. In the second session, we will fabricate lampshade structures and other illuminated objects with our handmade papers, making the most of their translucent qualities.

INSTRUCTOR
Deborah Klotz is a sculptor who holds a BA from Brandeis University and a BFA and MFA from MassArt. She teaches both undergraduate and graduate courses in fibers and sculpture at MassArt, Maine College of Art , and Southern Maine Community College in Portland. She has exhibited at the DeCordova Museum, the Fuller Museum, Maine Coast Artists and recently at the Kiznick Gallery, Brandeis University. Her silkscreen work has been published in Hausfrau Magazine.